coming to an advertiser near you. provided they don't hate it or anything
Locked In is the story of three teenagers who regularly skip school to broadcast pirate radio from a disused East London tower block. Bengali DJ Riqi, Carribbean MC Blaze and new girl Zahida all think they know what they want from life, and don't need anyone else to tell them. But after an argument one afternoon, Riqi has something of a religious awakening, and Blaze agrees to help out a local gangster. Zahida isn't afraid to let them know when they start acting out of order, but the results still threaten to tear their world apart.
Set to a hip-hop soundtrack, the play pounds along to the beat, much of the fast-paced conversation within the flow and pulse of the music that rocks the characters' worlds. The most heartfelt outbursts appear when the teenagers pick up the microphones and begin to rap to their listening public: their frustration with school, burning ambitions and religious conflicts are all explored within the rhythm and rhyme they blast out across the airwaves.
Locked In is an example of that rare, beautiful creature: a youth-marketed play that really does make a connection with its audience. The performances from all three actors are gripping and realistic, the set is well-designed, and the story rips along at a cracking pace, ensuring that even the most easily distracted will stay engaged. The dialogue is sometimes hard to follow word-by-word, and it can take a while to adjust to the slang and speed of conversation, but this does make the interaction more believable, and the gist is easy to grasp. Definitely worth it.
4/5
*
(Better than Virgins. Which is, admittedly, not saying an awful lot.)
Set to a hip-hop soundtrack, the play pounds along to the beat, much of the fast-paced conversation within the flow and pulse of the music that rocks the characters' worlds. The most heartfelt outbursts appear when the teenagers pick up the microphones and begin to rap to their listening public: their frustration with school, burning ambitions and religious conflicts are all explored within the rhythm and rhyme they blast out across the airwaves.
Locked In is an example of that rare, beautiful creature: a youth-marketed play that really does make a connection with its audience. The performances from all three actors are gripping and realistic, the set is well-designed, and the story rips along at a cracking pace, ensuring that even the most easily distracted will stay engaged. The dialogue is sometimes hard to follow word-by-word, and it can take a while to adjust to the slang and speed of conversation, but this does make the interaction more believable, and the gist is easy to grasp. Definitely worth it.
4/5
*
(Better than Virgins. Which is, admittedly, not saying an awful lot.)
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